11
Mar

ruby-coast I am a fan of Tokyo Police Club so I was rather excited to go check them out live at The Earl, and surprise, surprise, there was an added bonus…Harlem Shakes just so happen to be on the bill. Those of you familiar with this site understand why seeing The Shakes live (again) was kind of bitter-sweet.

Ruby Coast opened the show and they were ok, they sounded pretty good live and reminded me a little bit of, Los Campesinos…except the lead singer had a more soothing voice. They have potential, just need a little more seasoning.

harlem-shakesFirst let me clarify, I did not say that Harlem Shakes sucked, in fact I mentioned that I thought their music sounded tight and fresh.  Yes, I realize that I referenced Mumbles in regard to the lead singer’s voice, but it’s what popped in my mind while listening to him.  Ok, glad we got that out of the way and can move forward.  This time around, I actually enjoyed Harlem Shakes and I was especially impressed with the guitar player; he is a talented fellow.  I was also fond of the keyboard player and the drummer…they mixed well together.  Lexy, the lead singer’s voice is still not my cup of tea as it tends to reach a level where it is not enjoyable but I could sense some improvement. I am not sure I can say that Harlem Shakes have grown as a band because I am pretty sure they have a few new members but it can be said that this show was monumentally better than when they opened for Vampire Weekend a couple years back.

Now on to the band who I charged my camera batteries for, Tokyo Police Club.  Their songs were short and sweet and they absolutely had the crowd by the collar, especially with their fun little game of Mad Libs.  TPC played a good mix of songs and their set-list included tracks such as: Nature, Box, Juno, Shoulders, Spark and Paste.  I am a bit more intrigued by their older material but in a live setting I rather enjoyed the tracks from Elephant Shell.

Video: “Juno” from Tokyo Police Club

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03
Feb

The Harlem Shakes and Tokyo Police Club set off on a short stint down the east coast beginning February 24th. Before that The Shakes will be performing at Southpaw for the BAM Sounds Like Brooklyn Festival on the 14th. Born Ruffians also join them for their NY and DC shows. Harlem Shakes debut LP, Technicolor Health, is set to release on March 24th. In spite of our last, less than glowing review of The Shakes live show, the new stuff we have heard sounds great, and we are looking forward to seeing how their performance has evolved since then.

harlem shakesWinter 2009 Tour Dates

Feb 24: Lupo’s w/ Tokyo Police Club    Providence, Rhode Island
Feb 25: Webster Hall w/ TPC & and Born Ruffians    New York, New York
Feb 26: Black Cat w/ TPC & Born Ruffians    DC, Washington DC
Feb 27: Swarthmore College w/ Tokyo Police Club    Swarthmore, Pennsylvania
Feb 28: Mr Smalls w/ Tokyo Police Club    Pittsburgh, Pennsylvania
Mar 1: Grog Shop w/ Tokyo Police Club    Cleveland, Ohio
Mar 2: Basement w/ Tokyo Police Club    Columbus, Ohio
Mar 3: Mad Hatter w/ Tokyo Police Club    Covington, Kentucky
Mar 5: Earl w/ Tokyo Police Club    Atlanta, Georgia
Mar 6: Downunder w/ Tokyo Police Club    Talahassee, Florida
Mar 7: The Social w/ Tokyo Police Club    Orlando, Florida

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10
Jun

On the way to see Vampire Weekend play at Firestone in Orlando, I realized I had no idea if there was even an opening band. Well, unfortunately there was an opening band, Harlem Shakes. To be fair, when the music started playing, I was immediately intrigued by the tight, fresh sound but when the lead singer stepped up to the microphone it was all down hill.

It sounded like Mumbles, the character from Dick Tracy, decided to get drunk, inhale some helium and sing a song with no actual lyrics. It was difficult to appreciate the other aspects of Harlem Shakes because my ears were semi-bleeding. Oh, and my friend pointed out that the lead singer was apparently tricked into wearing the puffy pirate shirt Seinfeld loved so much.

There is not too much to say about Vampire Weekend live, besides they are good and there was certainly a lot of bouncing going on in the crowd. Koenig’s voice was crisp, the atmosphere was fun and the bass player’s funky yet totally subtle dance moves added some character. In a live setting, it is way more noticeable how short Vampire Weekend’s songs are. I personally wish they would have extended some of the songs that riled up the crowd, like A-Punk.

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