Available Today: Civilized from Stellastarr*
I was extremely excited to put on some headphones and listen to Stellastarr*’s latest album ‘Civilized’, as its predecessor, ‘Harmonies for the Haunted’ spent a lot of time in my CD player (hey…it was like four years ago, pre my iPod). I was immediately intrigued by the album’s first single, ‘Graffiti Eyes‘ because it sounded a bit different than their older tunes, which is great, music shouldn’t remain stagnant. While listening to ‘Civilized’ in its entirety, something seemed noticeably different about the bands’ sound…it was a less familiar version of Stellastarr*. After a few songs it was obvious that the variation was in Shawn’s vocal tone, it was less manufactured sounding, less low level…it seemed like his real voice.
We had a chance to ask Stellastarr* about this obvious shift in sound:
M. Snitch: The most noticeable difference on Civilized, in comparison to previous albums, is Shawn’s change in vocal tone, which creates an entirely different feel to Stellastarr’s music. The vocal style is certainly a signature piece of your music, so what prompted the deviation? Was it more experimental or just a matter of evolution?
Shawn: I had some panic and anxiety attacks for a year, and it tightened my throat up to the point where it was hard to breathe. As a result, I sang in the middle register for most of the record to avoid straining it during rehearsals.
We also asked the question we always like to know:
M. Snitch: What are some of your favorite bands at the moment?
Arthur: Bear Hands, Takka Takka, School of Seven Bells
With just one listen, I was on the fence about this album but with a couple more listens, a few tracks started to stand out, like: Freak Out, Tokyo Sky and Sonja Cries.
Take A Listen: Freak Out by Stellastarr*
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