Surrogate’s laid-back vibe and Chris Keene’s calming voice are both present and accounted for on their latest album, ‘Popular Mechanics’, which is out today via Tooth & Nail.
I’ve been a fan of Surrogate since crossing paths with their debut album, ‘Love Is For The Rich’ a couple years back, and have recommended them to friends and peers. Their music reminds me of sitting on a beach shore in early-fall, watching the sun’s reflection bounce around the ocean top like little specs of glitter, without a worry in mind.
Only mere moments into the album’s instrumental intro track, I got a sense that ‘Popular Mechanics’ wouldn’t be lacking that Surrogate charm. Now, having heard the album as a whole, I am happy to say that my rash assessment was correct. Surrogate created a strong sophomore album and different songs grew on me with each listen (Water Tower & Love Is For The Rich). However, on a couple tracks it seems like separate sounds that were bound for alternate routes, ended up converging together in a dull collision. This causes Surrogates’ subtle sounds to lose their anonymity, which is a key attribute to their music.
The highlight of the album in my humble opinion is the beautiful track ‘The Devil Gets What He Wants’…it is delightful. I prefer the mild mannered, non-noisy side of Surrogate, it’s their niche.
Take A Listen: Popular Mechanics by Surrogate
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Download: Popular Mechanics (Right click on link and select “Save Target As” in IE or “Save Link As” in Firefox)

